the operational art of war iv abandonware

Anecdotal and empirical evidence suggests that despite legislation requiring equitable representation in all aspects of screen media, and over thirty years of many “special initiatives” and training and mentorship programs, little progress has been made in the area of equitable representation in narrative programming.

It also receives the largest amount of publicly mandated funding in the form of investment, subsidies, and tax incentives in Canada.

It creates a sense of belonging and contributes to identity formation. Prime-time narrative is the most watched and influential genre of television. Mind the Gap: Exploring the Experiences of Diasporic Media Producers and Representations of Cultural Diversity in Canada Broken Social Scene Canada Canadian music independent artists music industry music label political economy popular culture Toronto. Finally, Broken Social Scene's metaphorical self conceptualization reveals the important structuring role the paradoxical affect of love plays for the group. Broken Social Scene's political economy and internal dynamics suggest that Arts & Crafts acts as an aegis for the group's membership and processes. The particulars of Toronto's music scene show the organic origins of the band's collectivity to be in process-based composition and performance. An analysis of the major labels and a history of the sensibilities of independent artists establish the habitus of an independent artist at the end of the 1990's. A case study was conducted centring on the Toronto-based collective Broken Social Scene and its label Arts & Crafts, and original interviews were conducted with Stuart Berman, Charles Spearin, Jason Collett, Jeffrey Remedios and Brendan Canning.

The aim of this thesis is to critically examine the emergence of new forms of collectivity in Canadian independent popular music. A Big Beautiful Mess: Collectivity, Capitalism, Arts & Crafts and Broken Social Scene

The operational art of war iv abandonware